FILM AS MEDIA IS EMPOWERED DURING THE COVID 19 BY THE NDALEM AGENG PRODUCTION

Authors

  • Retnowati Wiranto President University

DOI:

https://doi.org/10.32897/abdimasusb.v4i1.1889

Abstract

The Ndalem Ageng Surakarta art community has experienced limited activity and movement since the Covid 19. This paper aims to provide ideas and motivate art workers, especially the Ndalem Ageng Production Community, Surakarta to continue working and growing in the new normal era through a local wisdom approach using the Javanese language and empowering artistic people as a way to empower and grow together through a film approach. The method used in this activity is participatory and directly involved in the Ndalem Ageng art community for a relatively long time so that they can really understand the issues, thoughts, behaviors and types of art owned by art workers who are members of the Ndalem Ageng community. The result of assisting the Ndalem Ageng art community is the realization of creative artistic activities through a film approach by combining the world of stage and film into a unique and interesting work. In conclusion, amid the new rules of behavior, the new normal post-covid-19, the Ndalem Ageng Surakarta art community, with different artistic backgrounds, can still continue their works of art by motivating one another and working together in film production. Efforts to establish networks through social media, meetings, discussions, offline sharing are carried out as a basis for mutual trust and mutual growth. In this new normal era, it has been proven that the Ndalem Ageng art community remains creative and works and is responsible for the processes being carried out.

References

Zhong, B., Luo, W., Li, H., Zhang, Q., Liu, X., Li, W.,&Li, Y. Knowledge. Attitudes, and practices towards Covid-19 among Chinese residents during the rapid rise period of the covid-19 outbreak: a quick online cross-sectional survey. International Journal of Biological Sciences, 16 (10, 1745-17-52.

Film Mini Seri nDalemAgeng Potret Orang-orang kecil yang tak terekam Kehidupan Zaman.Kompasiana, https://www.kompasiana.com, 10 Mei 2021.

Rumah Banjar Dinas Pariwisata Solo.https://pariwisata solo.surakarta.go.id. Dinas Kebudayaan Surakarta. 2019.

Spradley, James. P. Participant Observation. New York: Holt. Rinehart and Winston. 1980.

Neuman, Wiliam L. Social research methods: qualitative and quantitative approaches. 7th ed. Pearson Education Limited;2004

Stokes, Jane, How to do Media and Cultural Studies: Panduan untuk Melaksanakan Penelitian dalam Kajian Media dan Budaya. Yogyakarta: PT Benteng Pustaka, 2003.

Paradigma dan Teori dalam Etnografi Baru dan Etnografi Kritis, Conference: Prosiding Seminar Nasional Paradigma dan Teori-teori Komunikasi dalam Ilmu Komunikasi.

Wulandari Shirly Novian., Mariyyah Nurusshofi, “Kajian Sinematografi Film Pendek, Jakarta. Lockdown Oleh Cameo Project “Jurnal Kreasi seni dan Budaya. Vol.3 No.3, Mei-Agustus-2021.

Kristoffer Gansing, The Cinema of Extractions: Film as Infrastructure for (Artistic?) Research. International Journal Film and Media Arts. 2022

Junaedi, Fajar. Membuat Film Dokumenter: Sebuah Panduan Praktis, Yogyakarta: Lingkar Media. 2021

Nopitasari Baiq Leny, at all, Pembuatan Short Movie Edukasi Covid-Menggunakan bahasa sasak untuk masyarakat di Pulau Lombok. Jurnal Pengabdian Masyarakat Berkemajuan. Vol. 5 No.1. ISSN 2614-5251. 2021 Made Budiasa

Gledill, Christine, Linda Williams. Reinventing Film Studies. London: Arnold A Member of the Hodder Headline Group. 2003

Barger, Arthur A. Media Analysis Techniques Second Edition, Alih bahasa Setio Budi HH. Yogyakarta: Penerbit Universitas Atmajaya; 2000

Wulandari Shirly Novian., Mariyyah Nurusshofi, “Kajian Sinematografi Film Pendek, Jakarta. Lockdown Oleh Cameo Project “Jurnal Kreasi seni dan Budaya. Vol.3 No.3, Mei-Agustus-2021.

Ismanto, Teguh. Film sebagai Proses Kreatif dalam bahasa Gambar. Maret Journal Komunikasi, Vol 4. Maret 2007 (1)

Downloads

Published

2023-07-22